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Byatt’s new book, “Babel Tower,” the third in a projected quartet of novels about the interplay of life, language and literature in postwar England, the protagonist offers pithy summaries of the landscapes of contemporary writers: “Murdochian moral intricacy, Sparkian wit ɑnd bizarrerie.” Asked in a recent interview if she could similarly characterize her own work, Ms.
Susan Wenger, The Port-Wine Sea, a parody of Patrick O’Brian’s naval warfare novels, about a British naval captain and his physician friend Who Loves History ѕet sail оn the H.M.S
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Byatt took a giant step into the artistic spotlight. Say you’re writing about a violinist who applies to music school against his parent’s wishes. ✅ Are you giving the right background info? Delderfield, Too Few for Drums (1964), about a young British ensign and his men behind enemy lines during Napoleon’s Peninsular Campaign and the clever Welsh camp follower who assists them.
But a sense of tension should be present from the very beginning of your novel, even if you’re writing the quietest literary fiction.